A dreamer tales Edward John Moreton Drax Plunke Dunsany 9781171821083 Books
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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
A dreamer tales Edward John Moreton Drax Plunke Dunsany 9781171821083 Books
I'll first quote from Ursula K. Leguin's website:--------
When people ask me about "a book that changed my life," one of the several hundred honest answers I can give them is A Dreamer's Tales. (Then they look blank, which is too bad.) I was about twelve when I picked it up, one of those nice little leather-bound books the Modern Library used to do, and from the first sentence I was a goner.
. . .
I described this moment also in the first essay in my first book of essays, The Language of the Night, how I stood with the book in my hands there in the living room, silent upon a peak in Darien.
-------
Dunsany was the progenitor of modern fantasy -- before Tolkien, before Lewis, before Howard and before Lovecraft. This may be his best book that's available in the public domain; one story in particular, "Idle Days on the Yann," may be the best short story he wrote, period. Reading this, his influence on every major fantasy author from Lovecraft through to Zelazny is made clear, as is Dunsany's complete uniqueness as a writer.
I won't try to sum up the plots of these stories in a paragraph because these aren't really stories that hinge on plots, or heroes, or quests, or morals, or any of the other common modern fantasy models: though all those figure from time to time, they don't take center stage. Mostly, these stories are carried along by Dunsany's masterful writing style, and to read them is to watch Dunsany show you a series of intricate visions, visions beautiful, pathetic, sublime, and horrible by turn. Nobody else has ever really replicated his voice (the closest I can think of, oddly, is Kahlil Gibran, though Gaiman managed a hint of it in _Stardust_), and Dunsany is able to hook the reader hard just with prose style and clarity of detail. Perhaps the most amazing thing about these stories is how unique and memorable they remain, even after a hundred-odd years' worth of his influence.
Anyway, don't take my word for it; this book's free. Grab this thing and read "Idle Days on the Yann," if nothing else. There's no excuse not to. If you don't like it, thbffff to you.
The stories it contains are:
Preface"
"Poltarnees, Beholder of Ocean"
"Bladgaross"
"The Madness of Andelsprutz"
"Where the Tides Ebb and Flow"
"Bethmoora"
"Idle Days on the Yann"
"The Sword and the Idol"
"The Idle City"
"The Hashish Man"
"Poor Old Bill"
"The Beggars"
"Carcassonne"
"In Zaccarath"
"The Field"
"The Day of the Poll"
"The Unhappy Body"
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A dreamer tales Edward John Moreton Drax Plunke Dunsany 9781171821083 Books Reviews
On one hand, you get quick and cheap access to some of the best Dunsany tales. On the other hand, this edition is full of errors. It needs editing.
Beautifully written and imaginative.
Great
Lord Dunsany has a rare imagination and unqiue gift for writing. If you enjoy imaginative and visionary tales or if you are a fan of fictional mythologies, you will like Dunsany. While the stories are often compact, the vision is almost always expansive. He adopts language and prose approrpriate to his subject matter; often dreamy and languid it is a step away from the norm. Dunsany's tales dwell in places seldom visited by modern authors. Highly recommended.
An excellent example of descriptive prose, Lord Dunsany is a unsung genius. His creative anthropomorphisms will lead your thoughts in a direction you probably haven't gone before without LSD. Everything from rope to the Sea has a voice, a story, a force behind it and it is all brought to life by beautiful execution of the English language.
I love this writers way with words. I was just floating on air in a few of the stories. I heard Ursula Le Guin was inspired by Lord Dunsany and I can see why. I want to read more about him.
After so many decades of reading Lovecraft, and his insistence on the importance of Lord Dunsany to his work, I have finally delved into Dunsany myself. I can certainly see the influence - knowing what I do now, much of the "Dream Cycle" of Lovecraft's work seems a pastiche of Lord Dunsany! I am looking forward to reading much more of Lord Dunsany's work!
I'll first quote from Ursula K. Leguin's website
--------
When people ask me about "a book that changed my life," one of the several hundred honest answers I can give them is A Dreamer's Tales. (Then they look blank, which is too bad.) I was about twelve when I picked it up, one of those nice little leather-bound books the Modern Library used to do, and from the first sentence I was a goner.
. . .
I described this moment also in the first essay in my first book of essays, The Language of the Night, how I stood with the book in my hands there in the living room, silent upon a peak in Darien.
-------
Dunsany was the progenitor of modern fantasy -- before Tolkien, before Lewis, before Howard and before Lovecraft. This may be his best book that's available in the public domain; one story in particular, "Idle Days on the Yann," may be the best short story he wrote, period. Reading this, his influence on every major fantasy author from Lovecraft through to Zelazny is made clear, as is Dunsany's complete uniqueness as a writer.
I won't try to sum up the plots of these stories in a paragraph because these aren't really stories that hinge on plots, or heroes, or quests, or morals, or any of the other common modern fantasy models though all those figure from time to time, they don't take center stage. Mostly, these stories are carried along by Dunsany's masterful writing style, and to read them is to watch Dunsany show you a series of intricate visions, visions beautiful, pathetic, sublime, and horrible by turn. Nobody else has ever really replicated his voice (the closest I can think of, oddly, is Kahlil Gibran, though Gaiman managed a hint of it in _Stardust_), and Dunsany is able to hook the reader hard just with prose style and clarity of detail. Perhaps the most amazing thing about these stories is how unique and memorable they remain, even after a hundred-odd years' worth of his influence.
Anyway, don't take my word for it; this book's free. Grab this thing and read "Idle Days on the Yann," if nothing else. There's no excuse not to. If you don't like it, thbffff to you.
The stories it contains are
Preface"
"Poltarnees, Beholder of Ocean"
"Bladgaross"
"The Madness of Andelsprutz"
"Where the Tides Ebb and Flow"
"Bethmoora"
"Idle Days on the Yann"
"The Sword and the Idol"
"The Idle City"
"The Hashish Man"
"Poor Old Bill"
"The Beggars"
"Carcassonne"
"In Zaccarath"
"The Field"
"The Day of the Poll"
"The Unhappy Body"
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